99爱中文字幕高清视频,亚洲国产精品无码久久秋霞,欧美第一特级黄片视频,欧美一区二区三区呻吟高潮

四重奏

類型:愛情 日劇  地區(qū):法國  年份:1981 

華為云

劇情簡介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    兩極對立

  • HD

    大煙山之戀:國家公園浪漫史

  • HD

    九十歲。有什么可喜可賀的

  • HD

    愛在39度

  • HD

    魔法壞女巫

  • HD

    你的錯誤2024

  • HD

    我們同在

  • HD

    外語

  • 全73集

    戴珍珠耳環(huán)的少女

  • HD

    女孩終究是女孩

  • HD

    墨菲

成人综合网视频在线观看| 久久精品国产在热久久| 三级高清有码在线观看| 欧美精品亚洲精品一区| 国产日韩欧美在线播放| 亚洲国产精品无遮挡羞羞| 日本精品免费在线观看| 日韩免费国产91在线| 欧美自拍系列精品在线| 国产女同精品一区二区| 性欧美唯美尤物另类视频| 都市激情小说在线一区二区三区| 国产性色精品福利在线观看| 国产一区二区三区免费福利| 国产欧美高清精品一区| 日韩免费午夜福利视频| 视频在线播放你懂的一区| 日韩亚洲精品国产第二页| 国产传媒免费观看视频| 久久99青青精品免费| 亚洲视频一级二级三级| 国产精品免费不卡视频| 亚洲中文字幕在线观看四区| 黄片在线观看一区二区三区| 亚洲一区二区精品国产av| 国产精品日韩欧美第一页| 国产欧美日韩综合精品二区| 色哟哟精品一区二区三区| 东北老熟妇全程露脸被内射| 91精品国产综合久久精品| 精品人妻一区二区三区在线看| 国产自拍欧美日韩在线观看| 欧美亚洲另类久久久精品| 九九热在线视频观看最新| 国产又粗又猛又爽色噜噜| 亚洲欧美日韩综合在线成成| 国产熟女高清一区二区| 中文字幕欧美视频二区| 五月婷婷缴情七月丁香| 最近最新中文字幕免费| 麻豆看片麻豆免费视频|