99爱中文字幕高清视频,亚洲国产精品无码久久秋霞,欧美第一特级黄片视频,欧美一区二区三区呻吟高潮

四重奏

類型:愛情 日劇  地區(qū):法國  年份:1981 

華為云

劇情簡介

  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.  Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.  Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

猜你喜歡

  • HD

    兩極對立

  • HD

    大煙山之戀:國家公園浪漫史

  • HD

    九十歲。有什么可喜可賀的

  • HD

    愛在39度

  • HD

    魔法壞女巫

  • HD

    你的錯誤2024

  • HD

    我們同在

  • HD

    外語

  • 全73集

    戴珍珠耳環(huán)的少女

  • HD

    女孩終究是女孩

  • HD

    墨菲

日韩欧美综合中文字幕| 中文字幕免费观看亚洲视频| 自拍偷拍福利视频在线观看| 嫩呦国产一区二区三区av| 熟女乱一区二区三区丝袜| 日本高清中文精品在线不卡| 国产又粗又猛又大爽又黄同志| 午夜福利视频六七十路熟女| 欧美美女视频在线免费看| 国产激情国产精品久久源| 99少妇偷拍视频在线| 亚洲精品中文字幕无限乱码| 欧美高潮喷吹一区二区| 成人午夜视频在线播放| 欧美日韩一级黄片免费观看| 激情五月天免费在线观看| 尹人大香蕉中文在线播放| 欧美午夜一级艳片免费看| 国产精品欧美激情在线播放| 亚洲内射人妻一区二区| 丰满少妇高潮一区二区| 人妻中文一区二区三区| 日本欧美三级中文字幕| 九九热这里只有精品哦| 91欧美日韩精品在线| 亚洲国产精品av在线观看| 欧美日韩国产精品第五页| 中文人妻精品一区二区三区四区| 精品一区二区三区三级视频| 国产三级视频不卡在线观看| 日韩精品中文字幕在线视频| 丁香六月啪啪激情综合区| 四季av一区二区播放| 欧美日韩一区二区午夜| 国产精品一区二区不卡中文| 亚洲欧美一二区日韩高清在线| 99久久国产精品成人观看| 日本深夜福利视频在线| 亚洲最新av在线观看| 欧洲精品一区二区三区四区| 中文字日产幕码三区国产|